This Is This

This ain't something else

Run To You

Some folks basked in the glow of the Falklands War, others thought otherwise. The year was 1984, and in the hills behind Antibes it promised to stay that way forever. George’s Orwellian nightmare was running late, as nightmares tend to do, and Paul Young was threatening to tear our playhouse down, room by room.

But another sound sifted softly across the pop charts towards which I played my part, as any rightly constructed thirteen year old would. Bryan Adam’s clear punchy riffs announced the determined verses of Run To You.

She says her love for me could never die.

Nice, I thought.

But that’d change if she ever found out about you and I.

Now.

For a boy learning about grammar, it struck me as odd that he said “I” instead of “me”.

That’s wrong isn’t it? If she found out about “me”. It’s “you and me”, not I. “…if she ever found out about you and me.”

I know grammar is a fluid thing, and that’s cool, but when people try and sound correct and get it wrong, that’s worse than not trying at all. It’s like when cockneys (and I love accents - I use that term as a distinction and nothing more) when cockneys pronounce their H’s where there aren’t any. It’s h’information I don’t need. My neighbours do it when they talk to me sometimes and they don’t need to. It’s like me giving it all “apples and pears gawd bless ya guvna, oi oi  ‘ow’s yer cockles, Awbert Skwayuh” when I’m talking over the fence to them. Silly.

Anyway, it’s “you and me.” If in doubt - always “me”. Think it up.

Fly I Too The Moon
I And Bobby Magee
Please Please I
Rescue I
Everybody’s Got Something To Hide Except I and I’s Monkey

Anyway, Bryan Adams, though. He’s an enigma. He wasn’t even ten in the summer of sixty nine when he claimed to by his first real six string to start a band from which one band member quit and another got married. It’s another empty premise.

He’s not even The Groover From Vancouver - in fact he’s neither. He doen’t groove and he didn’t move to British Columbia until he was fifteen. Technically, I guess you’d say at best he’s The Man On Your Stereo From Ontario, but that’s not exactly going to take us to the news, is it?

Anyway, keep watching your lyrics, and don’t get taken in. That’s what they want. Stay sharp, and I’ll be right here.

9 Responses to “Run To You”

  1. robram Says:

    Oh Cliff! Bryan Adams is an easy target - who else could release a single entitled “Please Forgive Me” with a straight face?

    And the fact that he was one of Princess Diana’s mates says it all… (ouch, sorry, no Diana bashing here)

  2. Ed R Says:

    Bash all you want, he’ll never have to work again a day in his life.

  3. Kathryn Says:

    Ooh, you clever person you.

  4. Cliff Says:

    Kathryn - Me? Yeah, there was a bit of that. If I really knew that much, or had any discernable talent, I’d be selling millons of records too.

    Ed - You’re right. Please forgive me.

    Rob - Easy targets are my forte.

  5. Katy Newton Says:

    Dude. It’s a song. “Die” has to rhyme with something. When rhymes and grammar clash in song, grammar is always expendable.

  6. Katy Newton Says:

    That is Newton’s First Law of Songwriting, that is.

  7. Cliff Says:

    Katy just totally duded me. I know, but I needed a post for today.

  8. Katy Newton Says:

    Dude - I have got to stop duding people. It sounds ridiculous in my not American voice.

  9. Ed R Says:

    Kinda makes me giggle;)

Leave a Reply